Veronika Eberle
Veronika Eberle’s exceptional talent and the poise and maturity of her musicianship have been recognised by many of the world’s finest orchestras, venues and festivals, as well as by some of the most eminent conductors.
Brought to international attention at the tender age of 16 by Sir Simon Rattle in a packed Salzburg Festpielhaus that saw her perform in the 2006 Easter Festival the Beethoven concerto with the Berliner Philharmoniker, today Veronika has recorded the Beethoven concerto herself (cadenza by Jorg Widmann written especially for her) with Rattle and LSO, and is one of the most sought-after violinists on the European scene, having performed with the most important conductors and orchestras in the most prestigious halls and seasons. Major orchestral collaborations include the London Symphony (Rattle, Haitink), Concertgebouw (Holliger), New York Philharmonic (Gilbert), Montreal Symphony (Nagano), Munich Philharmonic and Gewandhaus Orchestras (Langree), Rundfunk Sinfonieorchester Berlin (Janowski), Hessischer Rundfunk Sinfonieorchester (P. Järvi), Bamberger Symphoniker (Ticciati, Nott), Tonhalle Orchester Zurich (M.Sanderling), NHK Symphony (Kout, Stenz, Norrington), Bayerischer Rundfunk Munich (Nézet-Séguin) and Rotterdam Philharmonic (Rattle, Gaffigan, Nézet-Seguin). She plays on two extraordinary Stradivarius, the ‘Dragonetti’ from 1700, courtesy of the Nippon Music Foundation, and the Ries from 1693, loaned by Reinhold Würth Musikstiftung GmbH.
The 23/24 season see, among other things, his debut with the Budapest Festival Orchestra and Ivan Fischer, his return to both the Wigmore Hall as Artist-in-Residence and to Munich with the Symphonieorchester des Bayerischen Rundfunks and Rattle.