Come Di Orchestra

Antonio Valentino pianoforte
Piergiorgio Rosso violino
Francesca Gosio violoncello
Massimo Pitzianti fisarmonica, bandoneón, clarinetto, sassofono baritono
Claudio Chiara sassofono contralto e tenore, flauto traverso
Jino Touche contrabbasso
Daniele Di Gregorio marimba, vibrafono, batteria, percussioni


Paolo Conte himself supports this instrumental project, whose protagonists are the musicians who have been part of his orchestra for over 30 years, musicians who are among the finest on the Italian and international scene. The project, in continuous artistic evolution, is experienced as a spiritual inheritance of Conte’s music by his musicians and heartily supported by the Maestro. Massimo Pitzianti has devised an instrumental elaboration of the songs, incorporating elements of the classical repertoire to differentiate the project from pure covers and, as Conte said during one of the ensemble’s concerts: “Massimo had to put together the Sacred and the Profane!”
The aim is therefore to highlight the complexity and variety of the musical structure of his songs through new interpretations in which the audience can recognise the genius of the Maestro from Asti in a new guise.

The project, born in 2009 on the occasion of the 20th anniversary of the Debussy Trio, with the title “Confusion mentale fin de siècle”, in recent years has been further developed and enriched with new musicians, who come from Paolo Conte’s Orchestra.

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